Common Chord Progressions In Hop Hop & How To Use Them

Ask anybody who the greatest guitar players in the history of rock music are, and you'll likely get the standard answers. My personal favourite approach is to come up with a them to the lyrics, like a tag line or just feeling or piece of a story and write the music with that theme in mind. Bass players are usually the better song writers in the group. Most songs have two or three verses, repeating the same melody with different words.

You may feel that the melodies you come up with sound horrible or they sound like something that has been created before. Range is important to consider when writing melodies as a wide range will make a melody more difficult to hum, whistle, and remember - whereas a narrow range will have less variation in pitch and won't sound as interesting.

The rhythm of this is a substitution of three internal beats for two. This is an instrument which is used most of the times in long and multiple bar chord vamps, because it can hold notes for very long periods of time. In fact sometimes the hook changes completely and you can have a different song idea than you started with, so now you have two or more song idea instead of just one.

The problem arises when the vocal melody sounds as if it has been imposed on those chords as an afterthought. They start out with that melody (by recreating what they hear in their head on their software), and then build the rest of the beat's elements around that one melody.

I'd like to suggest that play-list makers and gate-keepers are not only responding to the taste of mass audience, but rather they also help shaping it. If there is hope for melody to make a meaningful comeback, it is largely depending on the active participation of those play-list makers and music lil uzi vert type beat industry gate keepers in reshaping audience taste.